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I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.
Matt Niebuhr - Works ...examining the threshold at which ordinary visibility ends and perception begins... is a site featuring my work exclusively.
Intersecting Images : a "blog" with musings about art, photography and culture - begun in 2005
Matt Niebuhr - Drawings a visual journal ...
If you are interested in work for purchase please see this or simply email me: niebuhr.matt [at] gmail.com - Thanks!
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Going on a field trip - though the water levels are high - just to see what I might.
Spiral Jetty, Robert Smithson
Rozel Point, Box Elder County, Utah
Photographed by George Steinmetz,
September 2002
Matt Niebuhr, Untitled (first construction, three targets, nine points at random) (2011)
(via whitehotel)
Richard Long
Untitled, 2004
River Avon mud on Douglas Fir plywood
96 x 24 inches
243,8 x 61 cm
SW 04379
Long time interest in Long… I like the inclusion of labels in his work that describe the materials put to work in the piece “Untitled” , for instance, I wonder, why River Avon mud? The hint of a larger story?
A line, nature with nature - what guides the line?
So happy to be sending out this drawing on its way to a new life - today!
untitled (red / black)
2011_11_15
oil pastel, graphite on paper
11” x 14” (27.9 x 35.6)cm
Matt Niebuhr
This drawing has been gifted.
SPECIAL OFFER “KARMA” DRAWING
http://mattniebuhrworks.bigcartel.com/category/karma
DISCOUNT CODE: KARMA01 (hint: with this code, this drawing is yours to enjoy in person, for 1 penny… really, it’s not about the $… it’s about seeing the world out there in real life! )The law of karma, says only this:`for every event that occurs, there will follow another event whose existence was caused by the first, and this second event will be pleasant or unpleasant according as its cause was skillful or unskillful.’ A skillful event is one that is not accompanied by craving, resistance or delusions; an unskillful event is one that is accompanied by any one of those things.
With this in mind, this original drawing work is dedicated to the idea of KARMA and as such is gifted with the intent that it become and represent a ‘skillful event’.
The drawing is offered as an original work on paper, unmounted and unframed, shipped flat.
Visit: http://mattniebuhrworks.bigcartel.com/category/karma and use DISCOUNT CODE: KARMA01Please be sure to include the appropriate address to which you wish to have the drawing mailed!
Enjoy.
(via mattniebuhrdrawings)
destroyed
GERHARD RICHTER, KÖLN - COURTESY GERHARD- RICHTER-ARCHIV DRESDEN
“There was the painting of a warship that had been hit by a torpedo. It was shown in 1964, in the first gallery show of a painter who was still unknown at the time. It looked serious and dramatic, with the calm water in the distance, the inconspicuous silhouette of the ship and, underneath it all, a gigantic explosion. But then it disappeared.” via
Agnes Martin
Untitled 1993
Watercolour and graphite on paper
11 x 11 in. / 27.9 x 27.9 cm
A few more works here: Timothy Taylor Gallery
I appreciate mostly the drawings: particularly the study of proportions within a square… imagine a dialogue of thought about containment and escape, balance and asymmetry, perfection and flaw…
RICHARD SERRA
Double Rift #3, 2011
Paintstick on handmade paper
105 1/8 x 199 1/8 inches framed (267 x 505.8 cm)
DRAWINGS
NOVEMBER 23, 2011 - JANUARY 7, 2012 Gagosian gallery: Paris
Wade Guyton
Black Paintings
June 2011
ISBN: 978-3-03764-166-8
Softcover, 230 x 304 mm / 800 pages
Edited by Wade Guyton
Authors: John Kelsey
Must get my hands on this!
“For this volume, Wade Guyton first had the book designed, and then printed it on the same ink-jet printers he used for his large-format serial prints on canvas. These pages were then scanned and printed by offset. In a sense, this artist’s book is a work on the questions of reproduction, original, source, and re-formation at the heart of Guyton’s practice.”
![James HugoninUntitled XI 2001/2002oil/wax on board [detail]170.8cm x 152.6cmPrivate Collection, courtesy Ingleby Gallery, Edinburgh(Photographed by Hyjdla Kosaniuk Innes)
“They ask us to slow down, and to look, and to settle as we would to listen to a piece of music, allowing time to take effect – to acknowledge that, for all their quietness and stillness, our relationship to them is one of continual change’. ” - source](http://24.media.tumblr.com/tumblr_lmj6621Cjy1qal15co1_1280.jpg)
James Hugonin
Untitled XI
2001/2002
oil/wax on board [detail]
170.8cm x 152.6cm
Private Collection, courtesy Ingleby Gallery, Edinburgh
(Photographed by Hyjdla Kosaniuk Innes)
“They ask us to slow down, and to look, and to settle as we would to listen to a piece of music, allowing time to take effect – to acknowledge that, for all their quietness and stillness, our relationship to them is one of continual change’. ” - source
Drawing, Detail from Wade Guyton.
Zeichnungen für ein kleines Zimmer,
Secession 2011,
Photo: Wade Guyton Studio
“… – let’s say it’s formalized chance.” Wade Guyton
something more about process… eye candy or is medium the message ?
