About

Matt Niebuhr is an artist living and working in West Branch, Iowa.

.../miscellaneous - is a personal journal, self educational in nature, containing notes and images that inspire me, or that I wish to learn more about - as such, it includes works by other people as noted with full acknowledgment and credit to authors and sources where possible.

I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.

Visit Matt Niebuhr - Works a site featuring my work exclusively. I established my studio practice in the summer of 2012 named "West Branch Studio".

Matt Niebuhr - Drawings a visual journal of my work.

If you are interested in work(s) for purchase please see this or simply email me: niebuhr.matt [at] gmail.com.

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architectural-review:

Drawing for the unmistakeable Unité d’habitation, Le Corbusier, 1948

!!

architectural-review:

Drawing for the unmistakeable Unité d’habitation, Le Corbusier, 1948

!!


(via architectural-review)
Liu Wentao
Untitled 2008Pencil Drawing on Canvas200 x 280 x 3cm
via: White Cube Beijing

Liu Wentao

Untitled 
2008
Pencil Drawing on Canvas
200 x 280 x 3cm

via: White Cube Beijing

Liu Wentao
Untitled   
drawing on paper  
57×152cm  
2007
More works @ White Space Beijing

Liu Wentao

Untitled  

drawing on paper 

57×152cm 

2007

More works @ White Space Beijing

Manfred Mohr, P-300/B, 1980
computer-generated, ink on paper
FORTRAN IV, CDC 7600 supercomputer, flatbed Benson plotter to “draw” 
ink on paperSize: 27 ½” x 27 ½”, framed
 

Manfred Mohr, P-300/B, 1980

computer-generated, ink on paper

FORTRAN IV, CDC 7600 supercomputer, flatbed Benson plotter to “draw”

ink on paper
Size: 27 ½” x 27 ½”, framed

 

Richard Serra on challenging artistic tradition (referring to developing a practice of drawing)

This is a struggle.  

Tools: graphite (lead holder + grades of lead from 9H to 6B), various straight edges to assist in drawing straight lines (triangles - 30/60 - adjustable, metal rulers, and parallel drafting bar / table top, pink pearl, masking tape, drafting dots, kneaded eraser, makeup brushes, paint brushes, paper stumps, tissue - for blending 

Drawing / Drafting conventions (poche, crosshatch, stipple, gradient shading) - axonometric, one point perspective / two point perspective / three point perspective / elevation / section / plan…. scale

Subject matter / Composition

Execution (Craft) - demonstration of control / use of the tools / a steady hand (or not)

Support medium (papers / films / wood / canvas) - GRAIN and TOOTH.


(via blackv)
mattniebuhrdrawings:

untitled (shimmer)2012_03_31oil pastel and graphite on paper18” x 23 3/8” (45.7 x 59.4)cmMatt Niebuhr
www.mattniebuhr.com
Print edition or original (and others)  available to browse here… thanks!

Looking back: I think it is particularly fitting that this is my “top post” (in terms of notes) for the year… thank-you.
The current cultural issues of the day - seemingly seep into the mind and perhaps find a way to be expressed in the drawing process and that’s a good thing.
Looking ahead: My thanks to you for the expressions of support and comments and here’s to you,  a new year coming and high expectations of what might lie ahead!
All the best,
Matt

mattniebuhrdrawings:

untitled (shimmer)
2012_03_31
oil pastel and graphite on paper
18” x 23 3/8” (45.7 x 59.4)cm
Matt Niebuhr

www.mattniebuhr.com

Print edition or original (and others)  available to browse here… thanks!

Looking back: I think it is particularly fitting that this is my “top post” (in terms of notes) for the year… thank-you.

The current cultural issues of the day - seemingly seep into the mind and perhaps find a way to be expressed in the drawing process and that’s a good thing.

Looking ahead: My thanks to you for the expressions of support and comments and here’s to you,  a new year coming and high expectations of what might lie ahead!

All the best,

Matt


(via mattniebuhrdrawings)
mattniebuhrdrawings:

untitled picture2012_11_12graphite on paper21” x 18” (53.3 x 45.7)cmMatt NiebuhrWest Branch Studiowww.mattniebuhr.comshop.mattniebuhr.com
Et sic in infinitum (“and like this to infinity”)
Inspiration as we approach the end of the world - according to the calendar…

mattniebuhrdrawings:

untitled picture
2012_11_12
graphite on paper
21” x 18” (53.3 x 45.7)cm
Matt Niebuhr
West Branch Studio
www.mattniebuhr.com
shop.mattniebuhr.com

Et sic in infinitum (“and like this to infinity”)

Inspiration as we approach the end of the world - according to the calendar…


(via mattniebuhrdrawings)
mattniebuhrdrawings:

drawing study2010_04_11longitudinal sectionswhite cribMatt Niebuhr
West Branch Studio

mattniebuhrdrawings:

drawing study
2010_04_11
longitudinal sections
white crib
Matt Niebuhr

West Branch Studio


(via mattniebuhrdrawings)
ericsaudi:

Untitled, Oct. 2011
Watercolour, Pastel, Crayon, Coldwax
67x52”
Eric Saudi

ericsaudi:

Untitled, Oct. 2011

Watercolour, Pastel, Crayon, Coldwax

67x52”

Eric Saudi


(via ericsaudi)
Elevation
Zachary House
http://www.archdaily.com/282552/the-zachary-house-stephen-atkinson-architecture/
from “Diary fragments” seriesMario Kolarić
mattniebuhrdrawings:

untitled (murder in the red barn #5)2012_07_30oil pastel on paper11” x 14” (27.9 x 35.6)cmMatt Niebuhrwww.mattniebuhr.comshop.mattniebuhr.com
“…road kill has its seasons just like anything. It’s possums in the autumn and it’s farm cats in the spring…” T. Waits
Happy to be sending this out soon to a collector in Sweden - Thank-you!

mattniebuhrdrawings:

untitled (murder in the red barn #5)
2012_07_30
oil pastel on paper
11” x 14” (27.9 x 35.6)cm
Matt Niebuhr
www.mattniebuhr.com
shop.mattniebuhr.com

“…road kill has its seasons just like anything. It’s possums in the autumn and it’s farm cats in the spring…” T. Waits

Happy to be sending this out soon to a collector in Sweden - Thank-you!


(via mattniebuhrdrawings)