About

.../miscellaneous - is a personal journal self educational in nature, containing notes and images that inspire me, or that I wish to learn more about - as such, it includes works by other people as noted with full acknowledgment and credit to authors and sources.

I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.

Matt Niebuhr - Works ...examining the threshold at which ordinary visibility ends and perception begins... is a site featuring my work exclusively.

Intersecting Images : a "blog" with musings about art, photography and culture - begun in 2005

Matt Niebuhr - Drawings a visual journal ...

If you are interested in work for purchase please see this or simply email me: niebuhr.matt [at] gmail.com - Thanks!

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Anne Lindbergmotion drawing 142011 graphite & colored pencil on cotton board34 by 28 inches 

Anne Lindberg
motion drawing 14
2011 
graphite & colored pencil on cotton board
34 by 28 inches 

So happy to be sending out this drawing on its way to a new life - today!
mattniebuhrdrawings:

untitled (red / black)2011_11_15oil pastel, graphite on paper11” x 14” (27.9 x 35.6)cmMatt Niebuhr
 
This drawing has been gifted.
SPECIAL OFFER “KARMA” DRAWING
http://mattniebuhrworks.bigcartel.com/category/karma
 DISCOUNT CODE: KARMA01  (hint: with this code, this drawing is yours to enjoy in person, for 1 penny… really, it’s not about the $… it’s about seeing the world out there in real life! )  
The law of karma, says only this:`for every event that occurs, there will follow another event whose existence was caused by the first, and this second event will be pleasant or unpleasant according as its cause was skillful or unskillful.’ A skillful event is one that is not accompanied by craving, resistance or delusions; an unskillful event is one that is accompanied by any one of those things.
With this in mind, this original drawing work is dedicated to the idea of KARMA and as such is gifted with the intent that it become and represent a ‘skillful event’.
The drawing is offered as an original work on paper, unmounted and unframed, shipped flat.
Visit: http://mattniebuhrworks.bigcartel.com/category/karma and use DISCOUNT CODE: KARMA01 
Please be sure to include the appropriate address to which you wish to have the drawing mailed!
Enjoy.

So happy to be sending out this drawing on its way to a new life - today!

mattniebuhrdrawings:

untitled (red / black)
2011_11_15
oil pastel, graphite on paper
11” x 14” (27.9 x 35.6)cm
Matt Niebuhr

This drawing has been gifted.

SPECIAL OFFER “KARMA” DRAWING

http://mattniebuhrworks.bigcartel.com/category/karma

 DISCOUNT CODE: KARMA01  (hint: with this code, this drawing is yours to enjoy in person, for 1 penny… really, it’s not about the $… it’s about seeing the world out there in real life! )  

The law of karma, says only this:`for every event that occurs, there will follow another event whose existence was caused by the first, and this second event will be pleasant or unpleasant according as its cause was skillful or unskillful.’ A skillful event is one that is not accompanied by craving, resistance or delusions; an unskillful event is one that is accompanied by any one of those things.

With this in mind, this original drawing work is dedicated to the idea of KARMA and as such is gifted with the intent that it become and represent a ‘skillful event’.

The drawing is offered as an original work on paper, unmounted and unframed, shipped flat.

Visit: http://mattniebuhrworks.bigcartel.com/category/karma and use DISCOUNT CODE: KARMA01 

Please be sure to include the appropriate address to which you wish to have the drawing mailed!

Enjoy.


(via mattniebuhrdrawings)
On exhibition during the month of Sept, 2011 @ Rain City Cafe - Portland, OR
One of six new works by Matt Niebuhr on display - Rain City Cafe is located immediately adjacent to the Hollywood branch of the Multnomah County Library - Portland, OR.
mattniebuhrdrawings:

 
untitled, (horizontal bands #1)2011_05_02graphite on gesso on wood24” x 24” (60.96 x 60.96)cmMatt Niebuhr

On exhibition during the month of Sept, 2011 @ Rain City Cafe - Portland, OR

One of six new works by Matt Niebuhr on display - Rain City Cafe is located immediately adjacent to the Hollywood branch of the Multnomah County Library - Portland, OR.

mattniebuhrdrawings:

untitled, (horizontal bands #1)
2011_05_02
graphite on gesso on wood
24” x 24” (60.96 x 60.96)cm
Matt Niebuhr



(via mattniebuhrdrawings)
I’m considering revisiting the targets iconography in drawing form again while reading up on the perspective use of “targets” from an art history point of view - (Jasper Johns for example)…   especially as the 4th of July looms ahead.  The targets are to me - first,  the result of some relatively simple geometric constructions, originating from an arbitrary position of three points but when combined in a certain way take on other meanings - depending on your point of view.
mattniebuhrdrawings:

 
untitled (line studies - #1 - two target construction)2011_01graphite on paper18” x 23 3/8” (45.7 x 59.4)cmMatt Niebuhr
(a geometry construction using a compass and straightedge - two circles, constructed from three points each located at random on the page - then divided equally to form additional circles, rendered in poche to represent disks. A circle is a line forming a closed loop, every point on which is a fixed distance from a center point. A disk is a round portion of a plane which has a circular outline)
See this and other original works available for purchase here - Thanks!

I’m considering revisiting the targets iconography in drawing form again while reading up on the perspective use of “targets” from an art history point of view - (Jasper Johns for example)…   especially as the 4th of July looms ahead.  The targets are to me - first,  the result of some relatively simple geometric constructions, originating from an arbitrary position of three points but when combined in a certain way take on other meanings - depending on your point of view.

mattniebuhrdrawings:

untitled (line studies - #1 - two target construction)
2011_01
graphite on paper
18” x 23 3/8” (45.7 x 59.4)cm
Matt Niebuhr

(a geometry construction using a compass and straightedge - two circles, constructed from three points each located at random on the page - then divided equally to form additional circles, rendered in poche to represent disks. A circle is a line forming a closed loop, every point on which is a fixed distance from a center point. A disk is a round portion of a plane which has a circular outline)

See this and other original works available for purchase here - Thanks!


(via mattniebuhrdrawings)
untitled ( lines “y” 10,000 horizontal)
2011_06_13 graphite on polyester drafting film  39” x 60” (99.06 x 152.4)cmMatt Niebuhr ” … the ten thousand things … “

untitled ( lines “y” 10,000 horizontal)

2011_06_13
graphite on polyester drafting film
39” x 60” (99.06 x 152.4)cm
Matt Niebuhr

” … the ten thousand things … “

detail: untitled (line studies - #1 - three target construction)2011_02_13graphite on paper18” x 23 3/8” (45.7 x 59.4)cmMatt Niebuhr
The magic moment when constructing a circle from three points comes after laying out perpendicular lines to find their intersection and therefor the center then to put the compass at that center and to connect the points in one complete motion  -  that is the moment closest to magic for me.  A circle is but a line forming a closed loop, every point on which is a fixed distance from a center.
Maybe too, it’s a metaphor for life, on the magic of finding a center…

detail: untitled (line studies - #1 - three target construction)
2011_02_13
graphite on paper
18” x 23 3/8” (45.7 x 59.4)cm
Matt Niebuhr

The magic moment when constructing a circle from three points comes after laying out perpendicular lines to find their intersection and therefor the center then to put the compass at that center and to connect the points in one complete motion  -  that is the moment closest to magic for me.  A circle is but a line forming a closed loop, every point on which is a fixed distance from a center.

Maybe too, it’s a metaphor for life, on the magic of finding a center…

Nasreen Mohamedi (Indian, 1937–1990). Untitled. c. 1970Graphite and ink on paper18 11/16 x 18 11/16” (47.5 x 47.5 cm).Private collection. Courtesy Talwar Gallery, New York/New Delhi.© 2010 Estate of Nasreen Mohamedi
More…

Nasreen Mohamedi (Indian, 1937–1990). 
Untitled. c. 1970
Graphite and ink on paper
18 11/16 x 18 11/16” (47.5 x 47.5 cm).
Private collection. Courtesy Talwar Gallery, New York/New Delhi.
© 2010 Estate of Nasreen Mohamedi

More…

 
untitled (lines “y” from / towards the center)2011_01_25graphite on polyester drafting film 42” x 42” (106.68 x 106.68)cmMatt Niebuhr
On exhibit - March 2011,  Stumptown - on Division st.
Line: A geometrical object that is straight, infinitely long and infinitely thin. A line is one-dimensional. It has zero width (in mathematics).
If you draw a line with a pencil, the pencil mark has a measurable width. The pencil line is therefor just a way to illustrate the idea of a line on paper. The line drawn on paper (or drawn on any other media visible to the eye) is always only just a representation of the idea of a line.
Again, strictly speaking, the idea of a line is that it has zero width and infinite length - in this sense we can not see with our eyes the idea of a line directly - only indirectly, as an approximate representation.
This does not seem to bother anyone… (me included - though it does cause me to wonder…)
Sometimes, just a simple line can be quite beautiful… my preference is to see representations of lines, drawn by hand.  Words are not literature until given a specific order, numbers are not mathematics…

untitled (lines “y” from / towards the center)
2011_01_25
graphite on polyester drafting film 
42” x 42” (106.68 x 106.68)cm
Matt Niebuhr

On exhibit - March 2011,  Stumptown - on Division st.

Line: A geometrical object that is straight, infinitely long and infinitely thin. A line is one-dimensional. It has zero width (in mathematics).

If you draw a line with a pencil, the pencil mark has a measurable width. The pencil line is therefor just a way to illustrate the idea of a line on paper. The line drawn on paper (or drawn on any other media visible to the eye) is always only just a representation of the idea of a line.

Again, strictly speaking, the idea of a line is that it has zero width and infinite length - in this sense we can not see with our eyes the idea of a line directly - only indirectly, as an approximate representation.

This does not seem to bother anyone… (me included - though it does cause me to wonder…)

Sometimes, just a simple line can be quite beautiful… my preference is to see representations of lines, drawn by hand.  Words are not literature until given a specific order, numbers are not mathematics…

detail: untitled, (where is love / where love is ?)2011_01_14red polymer lead and graphite lead on polyester drafting film 18” x 24” (45.7 x 60.9)cmMatt Niebuhr
Currently showing: Portland Love Show 2011

detail: untitled, (where is love / where love is ?)
2011_01_14
red polymer lead and graphite lead on polyester drafting film 
18” x 24” (45.7 x 60.9)cm
Matt Niebuhr

Currently showing: Portland Love Show 2011

untitled, basalt shard #2 - 4 segments2011_01_09graphite on polyester drafting film 18” x 24” (45.7 x 60.9)cmMatt Niebuhr
sometimes, one thing leads to another, sometimes…

untitled, basalt shard #2 - 4 segments
2011_01_09
graphite on polyester drafting film 
18” x 24” (45.7 x 60.9)cm
Matt Niebuhr

sometimes, one thing leads to another, sometimes…

Drawing by Francisco Faria, 2000, graphite on lead sheet, 130x100cm.The lead sheet’s stains and folds suggested the drawing to be done. Graphite shines on lead surface, it’s difficult to visualize it.
More here

Drawing by Francisco Faria, 2000, graphite on lead sheet, 130x100cm.
The lead sheet’s stains and folds suggested the drawing to be done. Graphite shines on lead surface, it’s difficult to visualize it.

More here

work in progress…


details 
Matt Niebuhr

work in progress…

details 

Matt Niebuhr

untitled (over and over and over again)2010_11_26graphite on polyester drafting film 36” x 36” (86.4 x 86.4)cmMatt Niebuhr
“There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it.” - Man Ray

untitled (over and over and over again)
2010_11_26
graphite on polyester drafting film 36” x 36” (86.4 x 86.4)cm
Matt Niebuhr

There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it.” - Man Ray

untitled (shimmer)2010_08_18charcoal and graphite on polyester drafting film 18” x 24” (45.7 x 60.9)cmMatt Niebuhr
Continuation of the shimmer series on drafting film. This is drawn on both sides creating more layering. The film allows for more finely detailed line work and holds much less material than paper and the shimmer effect is finer, closer.  The smaller size is more intimate. Would be good to try this again at a larger sheet scale to compare results…

detail: untitled (shimmer)2010_08_18charcoal and graphite on polyester drafting film 18” x 24” (45.7 x 60.9)cmMatt Niebuhr
Re-discovered another aspect of the drawing film which is the ability to place elements beneath the drawing surface while making the drawing that leave behind a trace - like making a rubbing over textured surface - an interesting potential…

untitled (shimmer)
2010_08_18
charcoal and graphite on polyester drafting film 18” x 24” (45.7 x 60.9)cm
Matt Niebuhr

Continuation of the shimmer series on drafting film. This is drawn on both sides creating more layering. The film allows for more finely detailed line work and holds much less material than paper and the shimmer effect is finer, closer.  The smaller size is more intimate. Would be good to try this again at a larger sheet scale to compare results…

detail: untitled (shimmer)
2010_08_18
charcoal and graphite on polyester drafting film 18” x 24” (45.7 x 60.9)cm
Matt Niebuhr

Re-discovered another aspect of the drawing film which is the ability to place elements beneath the drawing surface while making the drawing that leave behind a trace - like making a rubbing over textured surface - an interesting potential…

untitled2010_08_08oil pastel, wax pencil, graphite on polyester drafting film 
18” x 24” (45.7 x 60.9)cm
Matt Niebuhr
New work on drafting film with a bit of color.   
My goal is trying to find my own way somehow with this - maybe it expand with materials and process exploration.  I want to move this more towards the shimmer series work.  Admittedly, I am seeing references to some art I greatly admire.  I need to keep exploring to find more independence from those influences.

detail: untitled
2010_08_08oil pastel, wax pencil, graphite on polyester drafting film
18” x 24” (45.7 x 60.9)cm
Matt Niebuhr

untitled
2010_08_08
oil pastel, wax pencil, graphite on polyester drafting film

18” x 24” (45.7 x 60.9)cm

Matt Niebuhr

New work on drafting film with a bit of color.  

My goal is trying to find my own way somehow with this - maybe it expand with materials and process exploration.  I want to move this more towards the shimmer series work.  Admittedly, I am seeing references to some art I greatly admire.  I need to keep exploring to find more independence from those influences.

detail: untitled

2010_08_08
oil pastel, wax pencil, graphite on polyester drafting film

18” x 24” (45.7 x 60.9)cm

Matt Niebuhr