About

Matt Niebuhr is an artist living and working in West Branch, Iowa.

.../miscellaneous - is a personal journal, self educational in nature, containing notes and images that inspire me, or that I wish to learn more about - as such, it includes works by other people as noted with full acknowledgment and credit to authors and sources where possible.

I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.

Visit Matt Niebuhr - Works a site featuring my work exclusively. I established my studio practice in the summer of 2012 named "West Branch Studio".

Matt Niebuhr - Drawings a visual journal of my work.

If you are interested in work(s) for purchase please see this or simply email me: niebuhr.matt [at] gmail.com.

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robertocalbucci:



Astratto +/- E
oil, ink and pencil  on paper. 2012

robertocalbucci:

Astratto +/- E

oil, ink and pencil  on paper. 2012


(via robertocalbucci)
Nasreen Mohamedi (Indian, 1937–1990). Untitled. c. 1970Graphite and ink on paper18 11/16 x 18 11/16” (47.5 x 47.5 cm).Private collection. Courtesy Talwar Gallery, New York/New Delhi.© 2010 Estate of Nasreen Mohamedi
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Nasreen Mohamedi (Indian, 1937–1990). 
Untitled. c. 1970
Graphite and ink on paper
18 11/16 x 18 11/16” (47.5 x 47.5 cm).
Private collection. Courtesy Talwar Gallery, New York/New Delhi.
© 2010 Estate of Nasreen Mohamedi

More…

 
untitled
2010_09_18ink on polyester drafting film 18” x 24” (45.7 x 60.9)cmMatt Niebuhr

After André Kertész - underwater swimmer. “….Everybody can look, but they don’t necessarily see….”

Not sure that I agree with the sentiment expressed. I think it introduces too much mystery into the whole thing, a way of protecting a presumed privilege of the photographer.

untitled

2010_09_18
ink on polyester drafting film 
18” x 24” (45.7 x 60.9)cm
Matt Niebuhr


After André Kertész - underwater swimmer. “….Everybody can look, but they don’t necessarily see….”

Not sure that I agree with the sentiment expressed. I think it introduces too much mystery into the whole thing, a way of protecting a presumed privilege of the photographer.