King Ashurbanipal (study 3)
2010; acrylic on canvas over board;
78 × 78 inches
via Brian Gross Fine Art
Canvases cut up by aspiring painter to practise his ‘Sunday painting’.
via / more information
…standing on the shoulders of ‘giants’ - (aren’t we all in some ways?) what a great story…
David Kowalski
Distilled grey.
Leftover oil paint, over the year 2012 collected, on canvas 13x18cm.
(One of my own. It is post number 1000. Thank you all!)
Agnes Martin: The Islands - on the way!
Two books from Agnes Martin: Paintings and Drawings 1957-1975 and The Islands
Agnes Martin was a Canadian-born American abstract painter. An element that is common to a lot of her work is matte white color that absorbs the surrounding light but only partially radiates it back as well as the structure of fine horizontal lines drawn in pencil. bdp is very pleased to share these two beautiful books of her legendary work.
http://store.bookdummypress.com/product/paintings-and-drawings1957-1975-by-agnes-martin
http://store.bookdummypress.com/product/the-islands-by-agnes-martin
Ed Ruscha
Cry Box, acrylic on canvas
60 H x 54 W (inches)
1987
Ruscha is now the ‘Lone Wolf’ artist on the board at L.A.’s MOCA - change is difficult but it may just lead to some new and exciting things - that doesn’t mean however that MOCA should abandon doing good work - art and fashion are intertwined - but substance is key…
Saw this yesterday, an amazing film - a glimpse into the world of Richter’s making…
Portlander’s take note:
Gerhard Richter - Painting
Film Showing:
Sat, Feb 18, 2012 at 3 PM (Whitsell Auditorium) - Portland Art Museum / 35th Portland International Film Festival
http://www.gerhardrichterpainting.com/
Time is short.
Ars longa,
vita brevis,
occasio praeceps,
experimentum periculosum,
iudicium difficile.
art [technique, craft] is long,
life is short,
opportunity fleeting,
experiment dangerous,
judgment difficult.
(Source: rockandrora)
destroyed
GERHARD RICHTER, KÖLN - COURTESY GERHARD- RICHTER-ARCHIV DRESDEN
“There was the painting of a warship that had been hit by a torpedo. It was shown in 1964, in the first gallery show of a painter who was still unknown at the time. It looked serious and dramatic, with the calm water in the distance, the inconspicuous silhouette of the ship and, underneath it all, a gigantic explosion. But then it disappeared.” via
GERHARD RICHTER PAINTING (2011) Official Excerpt from Richard Lormand on Vimeo.
Gerhard Richter Painting (2011)
RACHEL HOWARD | FOLIE À DEUX
Fear of Madness, 2011
Oil, household gloss and acrylic on canvas
198.1 x 198.1 cm
(78 x 78 in)