About
.../miscellaneous - is a personal journal self educational in nature, containing notes and images that inspire me, or that I wish to learn more about - as such, it includes works by other people as noted with full acknowledgment and credit to authors and sources.
I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.
Matt Niebuhr - Works ...examining the threshold at which ordinary visibility ends and perception begins... is a site featuring my work exclusively.
Intersecting Images : a "blog" with musings about art, photography and culture - begun in 2005
Matt Niebuhr - Drawings a visual journal ...
If you are interested in work for purchase please see this or simply email me: niebuhr.matt [at] gmail.com - Thanks!
I also share content of my own making that I think is worth sharing with a larger audience. If there is any work by others who object to having their work posted here, I will remove the content if so requested.
Matt Niebuhr - Works ...examining the threshold at which ordinary visibility ends and perception begins... is a site featuring my work exclusively.
Intersecting Images : a "blog" with musings about art, photography and culture - begun in 2005
Matt Niebuhr - Drawings a visual journal ...
If you are interested in work for purchase please see this or simply email me: niebuhr.matt [at] gmail.com - Thanks!
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Saw this yesterday, an amazing film - a glimpse into the world of Richter’s making…
Portlander’s take note:
Gerhard Richter - Painting
Film Showing:
Sat, Feb 18, 2012 at 3 PM (Whitsell Auditorium) - Portland Art Museum / 35th Portland International Film Festival
http://www.gerhardrichterpainting.com/
Time is short.
Ars longa,
vita brevis,
occasio praeceps,
experimentum periculosum,
iudicium difficile.
art [technique, craft] is long,
life is short,
opportunity fleeting,
experiment dangerous,
judgment difficult.
(Source: rockandrora)
(via mattniebuhrdrawings)
destroyed
GERHARD RICHTER, KÖLN - COURTESY GERHARD- RICHTER-ARCHIV DRESDEN
“There was the painting of a warship that had been hit by a torpedo. It was shown in 1964, in the first gallery show of a painter who was still unknown at the time. It looked serious and dramatic, with the calm water in the distance, the inconspicuous silhouette of the ship and, underneath it all, a gigantic explosion. But then it disappeared.” via
GERHARD RICHTER PAINTING (2011) Official Excerpt from Richard Lormand on Vimeo.
Gerhard Richter Painting (2011)
RACHEL HOWARD | FOLIE À DEUX
Fear of Madness, 2011
Oil, household gloss and acrylic on canvas
198.1 x 198.1 cm
(78 x 78 in)
![James HugoninUntitled XI 2001/2002oil/wax on board [detail]170.8cm x 152.6cmPrivate Collection, courtesy Ingleby Gallery, Edinburgh(Photographed by Hyjdla Kosaniuk Innes)
“They ask us to slow down, and to look, and to settle as we would to listen to a piece of music, allowing time to take effect – to acknowledge that, for all their quietness and stillness, our relationship to them is one of continual change’. ” - source](http://24.media.tumblr.com/tumblr_lmj6621Cjy1qal15co1_1280.jpg)
James Hugonin
Untitled XI
2001/2002
oil/wax on board [detail]
170.8cm x 152.6cm
Private Collection, courtesy Ingleby Gallery, Edinburgh
(Photographed by Hyjdla Kosaniuk Innes)
“They ask us to slow down, and to look, and to settle as we would to listen to a piece of music, allowing time to take effect – to acknowledge that, for all their quietness and stillness, our relationship to them is one of continual change’. ” - source
GERHARD RICHTER MÄDCHEN IM LIEGESTUHL (GIRL IN DECKCHAIR) signed on the reverse and titled on the stretcher oil on canvas 60 by 95cm.; 23 5⁄8 by 37 3⁄8 in. Catalogue Raisonné: 36
Additional works from the THE DUERCKHEIM COLLECTION
Drawing, Detail from Wade Guyton.
Zeichnungen für ein kleines Zimmer,
Secession 2011,
Photo: Wade Guyton Studio
“… – let’s say it’s formalized chance.” Wade Guyton
something more about process… eye candy or is medium the message ?
Mark Grotjahn at ANTON KERN GALLERY (by jameskalm)
the vids a bit shakey, recommend turning volume off, but a few interesting images…
Gerhard Richter
Man on the Phone
Telefonierender
1965 (??)
70 cm X 130 cm
Oil on canvas
Exhibition (1964) - It’s odd that the date on the painting is after the exhibition…?
Sotheby’s - Sale: The Duerckheim Collection ( article via NYT) - 29 / 30 June 2011
See also via Artdaily.org
z.t. 10.3
140 x 200 cm.
acrylverf op triplex
more,
See also Make and Make which is where I originally came across Wolf’s work…
Juan Uslé
SOÑE QUE REVELABAS (TIGRIS), 2007
Vinyl, dispersion and dry pigment on canvas
108 x 80 inches
274.3 x 203.2 centimeters
CR# US.15226
